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2.39:1

In Frame

Education

Families decide in the first ninety seconds on your website. Everything after that is confirmation.

Act one: the commercial case

Neon Frame Creative is a UK creative media studio that builds admissions brand, film and imagery for schools, colleges and universities: strategy, imagery, film, design, web and social under one roof.

The prospectus is not the first impression any more. It is the souvenir.

By the time a family requests a prospectus, they have watched your film, judged your photography and compared your website against three others, usually on a phone, usually at night. Places are won or lost in that unsupervised research phase, where nobody from admissions is in the room and the work speaks alone. If the imagery is dated and the site is slow, the school reads as both.

Every place has a number on it.

A pupil is not a soft metric. In the independent sector a single retained pupil is worth six figures across their school career; in further and higher education, recruitment is the funding model. Marketing that moves single-digit percentages on open-day bookings or offer conversions pays for itself in one enrolment cycle, which makes education one of the few sectors where creative work has a directly attributable price.

You are also recruiting staff, and they are looking at the same website.

The hardest hire in education is no longer convinced by a PDF job pack. Teachers, lecturers and leadership candidates judge a school the way parents do: by how it presents itself. The same brand, film and photography that fill places shorten recruitment: one investment, two audiences.

A school is chosen on what a family can picture their child inside. Control the picture.

Act two: why Neon Frame

Six disciplines, read through an academic year: from open-day season, through offers and conversions, to results day.

Positioning and admissions story

What the school stands for, said plainly enough that a parent can repeat it to the other parent. Message architecture for admissions, sixth-form and staff recruitment, agreed before anything is shot, so the film and the head are making the same argument.

Open-day and campus films

A flagship school film that does the emotional work, virtual tour and campus films for the families who cannot visit, subject and department films for sixth-form recruitment, and results-day and event coverage cut for the feed the same week.

Imagery: campus, classroom and CGI

Photography libraries shot across the seasons so the website never looks like one sunny Tuesday, genuine classroom and co-curricular stills with model releases handled, and CGI visualisation for new buildings and capital campaigns. Sell the sports hall before it exists.

Identity, prospectus and signage

Identity systems that survive being applied by every department, prospectuses designed to be kept, open-day wayfinding and banners, and the templates that stop the geography department making its own logo.

Admissions-first web

A site that answers the three questions every family asks (fees, results, "will my child be happy here"), loads fast on a phone, and puts open-day booking one tap away. Built to hand over to your team, not to hostage.

Always-on admissions content

A term-by-term content calendar, social channels that show the school as it actually is, targeted open-day campaigns by catchment, and the steady stream that keeps a waiting list warm between visit days.

Glow, Beam, Halo

Most schools start at Beam for an open-day season (positioning, a school film and the campaign around it) and move to Halo, where one shoot day a term feeds the website, the prospectus and every channel all year.

See how the tiers work

Education: straight answers

Asked and answered

How much does a school prospectus and brand film cost in the UK?
It depends on how much of the school you need on camera. One film shot in a day sits at the bottom of the range; a full open-day package with positioning, a flagship film and a photography library sits above it. Prospectus design is quoted on extent and print run, and we will tell you if you need fewer pages.
When should a school start marketing for the next admissions cycle?
Two terms before your open days. Positioning and photography need to be finished before the film is shot, and a library shot across two seasons looks nothing like one shot the week before. Schools that start in the spring have assets ready for the autumn cycle.
Can you photograph pupils, and who handles permissions?
Yes. We work to your safeguarding policy, use your existing consent records and check them against the shot list before the day. Where releases are missing we shoot around them. Nothing is published until your designated safeguarding lead has signed off the selection.
Do you work with state schools and multi-academy trusts as well as independents?
Yes, and the brief is usually different. Independents are competing on places and fees; trusts are competing on reputation, staff recruitment and parental confidence across several sites. One identity system serving every school in a trust is normally the cheaper route.

Put your school in frame

Tell us your open-day dates, your recruitment targets and what families currently say about you. We will come back with what we would make and what it costs.